Nasty Baby: Brutal Realism to Show Invisible Violence

A video where a grown-up man impersonates a newborn baby. That’s what Freddy, a Latin artist who we have just met at his –very Brooklyn-looking– apartment, proposes to the owner of an Art gallery in the first scene of Nasty Baby, the last movie of Chilean director Sebastián Silva, screened last Monday at Barcelona International Independent Film Festival.

Our hero’s play arises from his emotions, clearly reflecting what’s going on in his life. Freddy, an artist who lives with his boyfriend, is trying to “make a baby” with his best friend, Polly, perfectly played by Kristen Wiig. But Freddy’s sperm is poor and his partner Mo (Tunde Adebimpe) will be the one in charge to help Polly become a mother. Personal evolution brings professional changes and Freddy’s creation ends up becoming a group project when a bunch of friends join him in his artistic journey.

Silva wrote, directed and starred in a movie where the characters are introduced in the most realistic way possible, each and every one of them showing an infinity of nuances.  Young professionals in a gentrified Brooklyn full of tension between the resisting old neighbors and a whole new class of occupants, with more purchase power and greater demands. Viewers know something is going to happen but never get to realize where Silva’s directing skills are going to take them.

The conflict comes in late, when we have learned to love Freddy, Mo and Polly; when we finally understand them and see ourselves in Mo’s inaction or Freddy’s anger. The conflict comes and catches us off guard, and tears our world apart; and captures us even more. Everything we had felt for these characters is now put in question and we find ourselves in an inner moral debate. Essential for the conflict are the couple’s neighbors: The Bishop and his partner, played by Reg E. Cathey and Constance Shulman, who we know from House of Cards and Orange is the New Black, among others.

The movie’s realism increases with the diversity it shows. The most real New York diversity brought to us by a number of cultures and accents. And even languages, as we hear a very Chilean Spanish every time Freddy speaks with his brother Chino (Agustín Silva), which is surprising in a North-American production filmed in English.

At the end, what started to look as one of the main elements of the movie, the play, Nasty Baby, becomes a mere anecdote to let Freddy, Mo, and Polly’s ease shine, as does their world, turned upside down by a cluster of accidental actions that will hunt the viewer for days after having left the theatre.

Article published on the Spanish site of Indiewood/Hollywoodn’t on May 3rd, 2016. Original article in Spanish:

The Top-5 of Sitges International Fantastic Film Festival

Sitges International Fantastic Film Festival comes to an end and figures come to light. This year, the greatest event on genre movies in Spain increased sales by 20.8%, meaning 77,955 tickets were accounted for, versus the 64,509 sold in 2014. Income increased as well, this time by 23,1%.

This year’s figures show the loyalty of an audience devoted to fantastic and horror movies, as well as the visibility the event is gaining both at the national and international level. Partly responsible of this success is the number of high-quality movies screened every year. At Indiewood/Hollywoodn’t, we have selected five gems you will surely regret to miss.

  1. The Invitation (Karyn Kuzama)

Considered Best Feature Film by the Festival’s jury, Karyn Kuzama’s thriller shows us how a son’s death can change the lives of his parents, played in this case by Logan Marshall-Green and Tammy Blanchard. She disappears soon after her son does. Years later, when she comes back, it is obvious that this is not the same person. The movie’s intrigue and suspense conquered the jury and took home the most important award of the Festival.

  1. The Final Girls (Todd Strauss-Schulson).

Movies within movies. This is The Final Girls’s proposal. Taissa Farmiga plays Max, the child of a movie star. The viewer is left to figure out the reasons why she ends up inside a horror movie starring her mom. The film features some well-known names from the Hollywood scene, such as Thomas Middleditch, Adam DeVine and Nina Dobrev. Audience and jury were captivated by The Final Girls, what drove it to leave the festival as the winner of the Jury Special Award and the one to Best Script.

  1. Turbo Kid (Anouk Whissell, François Simard, Yoann-Karl Whissell)

What makes this festival different from any other is the amount of guts one can see over a week. And Turbo Kid is no exception. This production mixes fantasy and romanticism, featuring two teenagers living in a “future” (1997) we don’t want to imagine. Turbo Kid, our superhero, and his partner Apple will have to fight for their lives in a world taken by robots, where water has become the most precious asset. Each one of the three screenings of the movie filled streets with endless lines of people and theatres with cheers. Turbo Kid, winner of the more than deserved Best Music Award, was one of the most expected movies in the festival and did not let anyone down.

  1. Into the Forest (Patricia Rozema)

The perfect ending for a festival like Sitges is a movie like Into de Forest. Patricia Rozema directs Ellen Page and Evan Rachel Wood in a universe where humanity is close to an end. Nell and Eva will have to survive hunger, among other physical and (to a greater extent) social issues.  A drama about survival to take a break from so much horror.

  1. Bone Tomahawk (Craig Zahler)

thumb_DSC_0371_1024Born in Florida, Craig Zahler leaves Sitges asa proud winner of the Best Director Award. His opera prima Bone Tomahawk exemplifies the cme back of a genre, Western, that also has a place in the Festival. Texas, cannibalism and an exceptional cast lead by Kurt Russell, Patrick Wilson and Matthew Fox are the perfect prescription for a successful movie.

Article published in the Spanish site of Indiewood/Hollywoodn’t on October 27th, 2015. Original article in Spanish: